How Rich A Treasure We Possess Lyrics
How Rich A Treasure We Possess Lyrics – Oh my Jesus, I love you, I know you are focused on Jesus, my Savior, I know you are young in Gordon’s words.
The English song “Jesus, I Love You, I Know You’re Mine” takes its opening lines from the ancient hymn, “Oh Jesus, My Savior, I Know You’re Mine,” by Caleb Jarvis Taylor (1763-1817). Taylor was a Methodist preacher, born in Maryland of Irish parents, who spent most of his life and career in Kentucky. This song is published in The Taylor Collection
How Rich A Treasure We Possess Lyrics
(Lexington, Kentucky: Joseph Charles, 1804 | Figure 1), in eight four-line stanzas, without music. Note the first line of verse 6, “If I have ever loved you, I have truly loved you, my Lord.”
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Although many subsequent versions of the song were not produced and the song was widely distributed without recognition, Taylor’s authorship was confirmed.
(Chillicothe, OH: Fredonian Press, 1815 | Fig. 2), edited by Thomas S. Hinde. This type is similar to type 1804 above.
It seems that Hende knew Taylor personally and was familiar with his business. He offered insight in his introduction:
[I have selected material from] the first published selections of two Western poets, Mr. John A. Granady and Mr. Caleb J. Taylor. These two poets composed their song during the great religious revivals in Kentucky and Tennessee around the years 1802, 3 and 4. Across the continent, it can be found in one form or another so that it in almost every group of songs of every arrangement, so far. it is twisted in length so that it does not resemble the original. The strange change of these two interesting poets, in which the former went to find his reward, and the latter is close to this, is specially adapted to the minds and the actions of Westerners. Their language is the language of the Church in the wilderness, successful and victorious – breaking through the darkness of paganism and the power of sin, to see the full light of the gospel!
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…Mr. T. loved me. With some of his latest works, and among others that beautiful song
(Charleston, SC: G.M. Bouneteau, 1809 | Figure 3), edited by Amos Pilsbury. The added syllable appeared as number 5 (“Though I am weak and despised, by faith I stand now”), the lines of syllable 2 were rearranged. of identity with any certainty. This version of the nine words was repeated in other collections, including
(Dublin: Primitive Methodist Wesleyan Book Room, 1838) and other collections. As the century progressed, the appearance of this hymn became rarer, and musical examples dwindled, although it was published well into the twentieth century. of age. For the most popular setting of the song, EXPRESSION, see Part IV below.
The first known release of “Jesus, I Love You, I Know You’re Mine” was in the magazine,
The Project Gutenberg Ebook Of The Oxford Book Of English Verse
(London), Vol. 16, no. 2, edited by Joseph Volkswinks, February 1862 (fig. 4). This first version of the hymn consists of six pieces of four lines, printed without music, without measure. Similarities to Taylor’s earlier hymn are found in the first two lines and the repeated line, “If I ever loved you, Jesus, it’s now.” This hymn follows the same scale as its predecessor (126.96.36.199) and can be sung with the same melodies. It is possible that the version presented here is original or copied from the original source, due to expansions and rhythmic imbalances – things that the composer may feel obliged to correct or improve.
(London), December 1863, p. 144, which is almost the same as the previous example, except for the exchange of “places” for “heaven” in the last part. 
This hymn is quoted from the obituary of Richard Beckett, who died on April 20, 1862 in Mixboro, South Yorkshire, England, and was published
(London), Issue of October 1862, p. 596 In that obituary, the writer said: “When he had the ability to sing, the following verse was preferred over his:
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A full copy of the hymn is included at the end of the October 1862 issue, p. 640. Note in particular the reduction of four syllables, and the many textual changes (eg “fun” / “follies”), many of which are still in use (Figure 5).
Also around 1862 or 1863 (the exact time is unclear), a song is quoted about Joseph Salter’s missionary visit to Asian immigrants in London,
(London: Seely, Jackson, & Halliday, 1873), p. 197. The hymn is described here as a favorite hymn of the Asiatic preacher. This copy, which consists of two parts, has a unique variation of the second line:
Since this book was published in 1873, we do not know whether the author is quoting it as the Asian priest knew it or quoting it as it was published later.
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On July 9, 1864, a letter from “J. in Halifax, West Yorkshire, England, to the missionary William Fletcher (1834–18), who went to preach there in the summer of that year. is given as follows. Not It is clear whether Fletcher made it known to the people of Halifax or whether they already knew it.
(London: W. Holmes,  | Figure 6), edited by C.
The transfer of this song to the United States was described as early as 1865, and by then it had already been in circulation for a long time. It was mentioned in a letter from John S., a native of Nottingham, England, who was appointed a member of the Christian Committee (a charity for the wounded in the American Civil War), while at City Point . A hospital in Virginia. The letter was sent on January 17, 1865, received at Nottingham on January 31, 1865, and printed
, Wednesday, March 8, 1865, p. 6. In that letter, English described dedicating the song to American soldiers:
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When I was here I introduced the phrase “Jesus I love you” among the soldiers. Now the Union Army is being sung about and they are so happy about it that I have seen printed papers that some soldiers had printed from the copy I had written for them. Music here in Virginia is set in a very new direction. An agent who was eager to confirm it, asked me to sing it. I did that too. While playing the orchestra, he learned the third part of singing. I removed the solfa, etc. , in short. It was then nailed to the workers, and is now sung in every state of the Union, even by rebel prisoners. 
This story was confirmed by another Christian Commission worker, R. W. Harlow, who remembered learning the hymn at City Point about 1865, but had never seen it in print. Add text to
, which he published on the front page of March 14, 1867 (fig. 7). Harlow’s version had four syllables, the same as the Primitive Methodist version (Figure 5), except that it had a repetition at the end of the stanza with ‘ one. This is an indication that the text is sung in a Welsh song by John Ellis, a common composition at the time, shown below (Figs 8, 9). For the history of this volume, see Part IV below.
(Figure 9), published in late 1866 in London. This music book is designed to collect full text only
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It fits well with Ash’s group, is inferior in quality to Smith’s group, and contains many passages not found in previous groups. It seems that the phrase “Oh Jesus, I love you” was added to meet popular demand. An anonymous editor used a four-word version of the text with the little-known line “My rock and my fortress, my word of God,” as
(1867 | Figure 8), published in London and used in his works in England. This was an updated version of his songbook
(1865), produced with musical assistance from William Bradbury, but with “some additions made since my return to Great Britain”. The phrase “Oh Jesus, I love you” was one of those additions. It is impossible to know whether Hammond learned it in the United States or Great Britain. Hammond’s text conformed to the Primitive Methodist version, as well as the version used in Virginia during the Civil War, and he used a Welsh song by John Ellis.
In the United States, the song appeared in songbooks beginning in 1868.
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(Troy, New York: J. Hillman, 1868 | Figure 10), edited by Joseph Hillman and El Hartsow, a group known for including songs and camp meeting songs. In this case, the text was presented in four parts and has some special changes, such as “crucifixion” (2.2) and “sweat of death” (3.3), while has language like “fun. “
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